IE Concerto dicembre 2015 - Concert December 2015

L'Istituto Europeo è lieto di invitarvi al Concerto degli studenti. Il Concerto avrà luogo giovedì, 17 dicembre alle ore 21:00.

INGRESSO LIBERO

Istituto Europeo is honoured to invite you at the Concert of the students. The Concert will be held this Thursday, December 17 at 21:00 pm
FREE ADMISSION

Programma:

Program:

V. Bellini: Almen se non poss'io (Aria da camera)
soprano: Shoko Maehara

G. Donizetti: Havvi un Dio che in sua clemenza (Maria di Rohan)
soprano: Mayumi Usui

F.P. Tosti: Malia
Baritono: Yosuke Kajitani

W.A. Mozart: Se il padre perdei (Idomeneo)
soprano: Atsuko Miyamoto

P. Mascagni: Voi lo sapete (Cavalleria rusticana)
mezzosoprano: Miyuki Endo

W.A. Mozart: Non piu andrai, farfallone amoroso (Le Nozze di Figaro)
Baritono: Yosuke Kajitani

W.A. Mozart: Prenderò quel brunettino (Così fan tutte)
Duetto
Duet
soprano: Mayumi Usui
soprano: Atsuko Miyamoto

Adeste Fideles 

All together

Pianoforte: Maestro Francesca Giovannelli
Grand piano: Giovanna Giovannelli

Contact us! info@istitutoeuropeo.it - www.istitutoeuropeo.it

Like us! Facebook Istituto Europeo

History of Opera at ISTITUTO EUROPEO in 14 lectures

History of Opera

1- DESCRIPTION

The course surveys the historical and artistic evolution of Italian opera, from the Renaissance (Monteverdi) to the Modernity (Puccini).  The historical aspects of opera, like singing, instruments, structure, will be studied as well the peculiar components of literature (libretto) and theatre. Emphasis will be placed on the major operatic composers and their masterpieces: From the madrigalistic comedy to the Recitar cantando - C. Monteverdi - The comic and the serious opera (from the 17th until the 18th century) - The Neapolitan School and the Neoclassicism - G. Rossini - V. Bellini, G. Donizetti and the Belcanto - G. Verdi - The melodrama after Verdi and the Verismo - G. Puccini - The opera after Puccini and the contemporary composers.

LECTURES

Week 1   Introduction to the course. The birth of opera. Florentine camerata. Music  and poetry: the recitative dramatic style.

Week 2  Monteverdi, the founder of opera: his life and works. Opera goes to Venice: theatres and show business.

Week 3    Opera in XVIII c.: the triumph of Opera Seria. The Neapolitan and Venetian schools. Lyricism and virtuosity: the aria. The Reform opera of Gluck and Calzabigi: a search for unity.

Week 4    Opera Buffa: the tradition of comedy. A Musical entertainment: the intermezzo. Italian era in Europe: Paris, London, Vienna.

Week 5   Mozart’s operas: towards an absolute truth. Da Ponte, a librettist and a libertine.

Week 6   Opera in France in the late XVIII c.: Cherubini e Spontini. The spirit of the French Revolution and  the magnificence of the Grand Opera. Beethoven’s Fidelio.

Week 7     Written MID-TERM EXAM. 

Week 9.   Elements of opera in XIX c.: composers, singers, production, structures. A change of the century: Rossini from Opera Buffa to Romantic opera.

Week 10  The season of Bel Canto. Bellini lyricism in drama. Donizetti: bourgeois spirit in comedy and  tragedy

Week 11  Verdi’s operas: human passions and ideals in the era of Risorgimento. Verdi from Nabucco to Falstaff: an evolution in style.

Week 12    Scapigliati and bohemians: Boito and Verdi.

Week 13   A slice of life: the young school of  Verismo. Mascagni and Leoncavallo.

Week 14   The sentimental naturalism of Puccini.