Visualizzazione post con etichetta Puccini. Mostra tutti i post
Visualizzazione post con etichetta Puccini. Mostra tutti i post

martedì 22 aprile 2014

Beethoven Mozart Puccini at Istituto Europeo: Easter concert

Ikue Kobayashi. Emotions speak

Author: Gayane Simonyan

Music school students of ISTITUTO EUROPEO had a small concert on April 17, 2014. They were performing the songs of such world famous Italian composers as Vincenzo Bellini - one of the most celebrated opera composers of the nineteenth century; Wolfgang Amadeus Mozart - a prolific and influential composer of the Classical era; Gaetano Donizetti - a leading composer of bel canto opera with Vincenzo Bellini during the first fifty years of the Nineteenth Century; Giacomo Puccini who has been called "the greatest composer of Italian opera after Giuseppe Verdi; and Ludwig Van Beethoven - a German composer and pianist, a crucial figure in the transition between the Classical and Romantic eras in Western art music, who remains one of the most famous and influential of all composers.

Students of music department showed the improvement, the strength of their voice and piano skills that they got while studying at Istituto Europeo. Yoshie Watanabe was the first to sing at the concert. She performed V. Bellini’s “Come per me sereno” (La Sonnambula or The Sleepwalker). This was followed by another student Tomonori Tasato’s performance of another composition of V. Bellini called "Vaga luna, che inargenti" or Beautiful moon, dappling with silver.

Ikue Kobayashi performed Giunse alfin il momento - Deh vieni, non tardar (Le Nozze di Figaro), one of the most famous works of Mozart. After this Yoshie Watanabe and Tomonori Tasato performed a duet Lalla rallara (L’elisir d’amore or The Elixir of Love) which is the most frequently performed of all Donizetti’s operas.

Next was Ikue Kobayashi’s performance of Donde lieta uscì al tuo grido d’amore or “From here she happily left…” (La Boheme) by Puccini.

The concert was accomplished by the beautiful sounds of piano Sonata No. 17 in re minore op.31 No. 2 III movimento Allegretto by Mayumi Kouno who was providing the instrumental part during all the performances of the concert.

After the performance the room burst out with applauses. The director of the Institute, Rinaldo Romagnoli, congratulated the students for their successful performances, shared his compliments and pride and invited everyone to celebrate entire stride together.

giovedì 7 novembre 2013

History of Opera at ISTITUTO EUROPEO in 14 lectures






History of Opera


1- DESCRIPTION
The course surveys the historical and artistic evolution of Italian opera, from the Renaissance (Monteverdi) to the Modernity (Puccini).  The historical aspects of opera, like singing, instruments, structure, will be studied as well the peculiar components of literature (libretto) and theatre. Emphasis will be placed on the major operatic composers and their masterpieces: From the madrigalistic comedy to the Recitar cantando - C. Monteverdi - The comic and the serious opera (from the 17th until the 18th century) - The Neapolitan School and the Neoclassicism - G. Rossini - V. Bellini, G. Donizetti and the Belcanto - G. Verdi - The melodrama after Verdi and the Verismo - G. Puccini - The opera after Puccini and the contemporary composers.

LECTURES

Week 1   Introduction to the course. The birth of opera. Florentine camerata. Music  and poetry: the recitative dramatic style.
Week 2  Monteverdi, the founder of opera: his life and works. Opera goes to Venice: theatres and show business.
Week 3    Opera in XVIII c.: the triumph of Opera Seria. The Neapolitan and Venetian schools. Lyricism and virtuosity: the aria. The Reform opera of Gluck and Calzabigi: a search for unity.
Week 4    Opera Buffa: the tradition of comedy. A Musical entertainment: the intermezzo. Italian era in Europe: Paris, London, Vienna.
Week 5   Mozart’s operas: towards an absolute truth. Da Ponte, a librettist and a libertine.
Week 6   Opera in France in the late XVIII c.: Cherubini e Spontini. The spirit of the French Revolution and  the magnificence of the Grand Opera. Beethoven’s Fidelio.
Week 7     Written MID-TERM EXAM. 
Week 9.   Elements of opera in XIX c.: composers, singers, production, structures. A change of the century: Rossini from Opera Buffa to Romantic opera.
Week 10  The season of Bel Canto. Bellini lyricism in drama. Donizetti: bourgeois spirit in comedy and  tragedy
Week 11  Verdi’s operas: human passions and ideals in the era of Risorgimento. Verdi from Nabucco to Falstaff: an evolution in style.
Week 12    Scapigliati and bohemians: Boito and Verdi.
Week 13   A slice of life: the young school of  Verismo. Mascagni and Leoncavallo.
Week 14   The sentimental naturalism of Puccini.